File:Captain Sir John Jervis, 1735-1823 RMG BHC3004.tiff

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Summary

Gilbert Stuart: Captain Sir John Jervis, 1735-1823  wikidata:Q50862851 reasonator:Q50862851
Artist
Gilbert Stuart  (1755–1828)  wikidata:Q41402 q:hy:Գիլբերտ Ստյուարտ
 
Gilbert Stuart
Alternative names
Gilbert Charles Stuart ; Birth name: Gilbert Charles Stewart
Description American painter and portraitist
Date of birth/death 3 December 1755 Edit this at Wikidata 9 July 1828 Edit this at Wikidata
Location of birth/death North Kingston (Newport, Rhode Island) Boston
Work location
Authority file
artist QS:P170,Q41402
image of artwork listed in title parameter on this page
Title
Captain Sir John Jervis, 1735-1823 Edit this at Wikidata
title QS:P1476,en:"Captain Sir John Jervis, 1735-1823 Edit this at Wikidata"
label QS:Len,"Captain Sir John Jervis, 1735-1823 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Captain Sir John Jervis, 1735-1823

A head-and-shoulders portrait to left wearing captain's, over three years, full-dress uniform, 1774-87. He is wearing the Ribbon of the Bath. This unfinished sketch was painted between 1782 and 1787 for a finishes version which is not currently known.

In 1759, Jervis served at the capture of Quebec, and was at the Battle of Ushant in 1778 in command of the 'Foudroyant', 80 guns. He was also present at the reliefs of Gibraltar between 1780 and 1782. Jervis defeated the Spanish off Cape St Vincent, 1797, and in 1799, commanded the Channel fleet during which time he maintained a strict blockade of Brest. He imposed a rigorous but fair discipline of the fleet, and as First Lord of the Admiralty, he succeeded in combatting inefficiency and corruption in the administration of the Navy.

Stuart was an American painter who was also active in England and Ireland. He was in London from 1775 until 1787, where early in 1775, he entered the studio of Benjamin West, 1738-1820, for whom he painted drapery and finished portraits. Stuart exhibited for the first time at the Royal Academy in the spring of 1787. He maintained an expensive London establishment, and had considerable success as a fashionable portrait painter to both English and American sitters who found themselves in London. However, in 1787, Stuart fled to Dublin-almost certainly to escape his creditors-and where he remained for five years. In the spring of 1793, he returned to America, leaving behind scores of unfinished canvases. He subsequently lived and worked in New York, and then Philadelphia, where George Washington posed for him during 1795. He moved to Boston in 1805 where he remained for the rest of his life, both painting and advising fellow artists.

Captain Sir John Jervis, 1735-1823
Depicted people John Jervis, 1st Earl of St Vincent Edit this at Wikidata
Date between circa 1782 and circa 1787
date QS:P571,+1782-00-00T00:00:00Z/8,P1319,+1782-00-00T00:00:00Z/9,P1326,+1787-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 520 x 430 mm; Frame: 670 mm x 548 mm x 85 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC3004
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14477
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1936-21
id number: BHC3004
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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Date/TimeThumbnailDimensionsUserComment
current00:35, 15 September 2017Thumbnail for version as of 00:35, 15 September 20173,068 × 3,800 (33.36 MB)Royal Museums Greenwich Oil paintings (1782), http://collections.rmg.co.uk/collections/objects/14477 #654

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