File:Entry of Christ into Jerusalem by Pieter Coecke van Aelst Bonnefantenmuseum 1246.jpg
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Summary
Entry of Christ into Jerusalem
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| Artist |
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| Title |
The entry into Jerusalem (inside); St. Trudo (outside)  |
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| Object type |
painting |
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| Genre |
religious art |
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| Description |
The triumphal entry of Christ into Jerusalem. Two-sided painting, that used to be a shutter of a large Passion retable, now dismantled. Other panels from this retable are now in Trier, Berlin, Cape Town and Lisbon. On the reverse is a painting of Saint Trudo, which links the retable to Sint-Truiden Abbey. |
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| Date | Circa 1530 | ||||||||||||||||||||||||
| Medium | oil on panel | ||||||||||||||||||||||||
| Dimensions | height: 102 cm (40.1 in); width: 64.5 cm (25.3 in) | ||||||||||||||||||||||||
| Collection |
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| Accession number |
1246 |
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| Place of creation | Antwerp (?) | ||||||||||||||||||||||||
| Object history |
circa 1530: commissioned by Sint-Truiden Abbey, Sint-Truiden 7 December 1935: anonymous sale at Moos, Geneva (auction house), lot no. 51 (as Bernard van Orley) December 1935: acquired by Leger (art dealer), London 1938: acquired by J.P. Heukenfelt Janssen (art dealer), Amsterdam |
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| Credit line | Purchased by the Bonnefantenmuseum with an interest-free loan issued by the Vereniging Rembrandt | ||||||||||||||||||||||||
| References | J.J.M. Timmers (1958-1959) ‘Verslag van de directeur van het Bonnefantenmuseum over 1959’, Publications de la société historique et archéologique dans le Limbourg, vol. XCIV-XCV, p. 107-120, p. 115, with image in black and white facing p. 112, as Anonymous (Southern Netherlands) circa 1530, Intocht van Christus in Jeruzalem, height: 102 cm (40.1 in); width: 64.5 cm (25.3 in). ‘Dit paneel, dat in zeer gave toestand verkeert, vertoont de kenmerken van het onder de eerste Italiaanse invloeden staande Zuidnederlands maniërisme. Door wijlen Dr. M. J. Friedländer werd het toegeschreven aan Pieter Coecke van Aelst. Ons wil het voorkomen dat de oorsprong veeleer gezocht dient te worden in de kring van de Luikenaar Lambert Lombard, waarbij een vergelijking met de panelen van het altaar der St.-Denis zich opdringt (Luik, kerk van St.-Denis, ibid., Museum). Wellicht kan de thans overschilderde achterkant van het door ons verworven paneel t.z.t. dit probleem oplossen. Daar kan men thans reeds vaag de figuur van een H. monnik onderscheiden met een kerkmodel in de hand. Is dit laatste te identificeren, dan wordt het wellicht mogelijk de herkomst van het paneel vast te stellen’. RKDimages, Art-work number 28198, as Workshop of Pieter Coecke van Aelst, De intocht van Christus in Jeruzalem (op de buitenzijde: de H. Trudo), circa 1530 (1525-1535), height: 102 cm (40.1 in); width: 64.5 cm (25.3 in) RKDimages, Art-work number 256351, as Workshop of Pieter Coecke van Aelst, The entry into Jerusalem (inside); St. Trudo (outside), circa 1530 (1525-1535), height: 102 cm (40.1 in); width: 64.5 cm (25.3 in) | ||||||||||||||||||||||||
| Source/Photographer | artsandculture.google.com : Home : Info | ||||||||||||||||||||||||
| Permission (Reusing this file) |
Public domain | ||||||||||||||||||||||||
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_%E2%80%93_Portrait_of_Pieter_Coecke_van_Aelst.jpg)
Licensing
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. | ||||
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 03:07, 6 March 2015 | | 4,140 × 6,602 (8.95 MB) | Crisco 1492 | User created page with UploadWizard |
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