Description |
description
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English: "With his pupil Fragonard, François Boucher is rightly held to epitomise the rococo sensibility in French eighteenth-century painting. Refined in intelligence as much as in taste, Boucher's art is a celebration of surface, not superficiality. His love of silks, satins, velvets, furs and brocades is exceeded only by his devotion to the pearly properties of youthful skin, especially female skin. Whether painting the mythical subjects that characterise his larger commissions, or, as
here, an intimate portrait of his wife, Marie-Jeanne Buseau, Boucher brought to the task an attention to detail and a sense of delight that are definitively rococo.This painting wittily, and not at either's expense, juxtaposes the very different beauties of a charming woman and her lapdog. The latter is a canine inclusion not without sexual connotation in the iconography of the period - though Boucher can hardly be thought to portray his spouse in the role of teasing mistress. The slightly generic cast of her face, echoing those of the nymphs and shepherdesses prolifically rendered by this artist, is attributable to the fact that Marie-Jeanne was Boucher's model for almost two decades." [1]
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Object history |
by 1906 date QS:P,+1906-00-00T00:00:00Z/7,P1326,+1906-00-00T00:00:00Z/9 : C.J. Wertheimer, London
from by 1906date QS:P,+1906-00-00T00:00:00Z/7,P1326,+1906-00-00T00:00:00Z/9 until before 1925date QS:P,+1925-00-00T00:00:00Z/7,P1326,+1925-00-00T00:00:00Z/9 : Joseph Bardac, Paris
by 1932date QS:P,+1932-00-00T00:00:00Z/7,P1326,+1932-00-00T00:00:00Z/9 : Hector Pétin, Paris
from by 1964date QS:P,+1964-00-00T00:00:00Z/7,P1326,+1964-00-00T00:00:00Z/9 until 5 March 1970: Mme. Hector Pétin, Paris
5 March 1970: purchased by Agnew's, London, at an anonymous sale at Palais Galliera (auction house), lot no. 16
October 1970: purchased by James Fairfax (1933), Bowral, from Agnew's, London
4 June 1992: given to the Art Gallery of New South Wales, Sydney, by James Fairfax, Bowral
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Exhibition history |
Exposition François Boucher (1703-1770), Hôtel de Jean Charpentier, Paris, 9 June 1932–10 July 1932, cat. no. 99, p. 44.
Réhabilitation du sujet, André J. Seligmann, Paris, 17 November 1934–9 December 1934, cat. no. 14, p. 27.
Exposition de portraits français de 1400 à 1900, André J. Seligmann, Paris, 9 June 1936–1 July 1936, cat. no. 46, p. 42.
François Boucher. Premier peintre du roi, 1703-1770, Galerie Cailleux, Paris, May 1964–June 1964, cat. no. 31.
France in the eighteenth century, Royal Academie of Arts, London, 6 January 1968–3 March 1968, cat. no. 45, p. 48.
Paintings and drawings from Agnew's, London, David Jones Art Gallery, Sydney, 7 October 1970–24 October 1970, cat. no. 27.
Private treasures. An exhibition of art from Australian private collectors covering a period of five centuries, David Jones' Art Gallery, Sydney, 10 January 1978–21 January 1978, cat. no. 8.
The James Fairfax collection of old masters, Art Gallery of New South Wales, Sydney, 25 April 1992–14 June 1992, without cat. no.
Great gifts, great patrons. An exhibition celebrating private patronage of the Gallery, Art Gallery of New South Wales, Sydney, 17 August 1994–19 October 1994, without cat. no.
The James Fairfax collection of old master paintings, drawings and prints, Art Gallery of New South Wales, Sydney, 17 April 2003–20 July 2003, ISBN 0734763417, p. 37-39.
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