File:Komposition 1923-1924 by Theo van Doesburg.jpg

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Summary

Theo van Doesburg: Composition 1923-1924  wikidata:Q2284440 reasonator:Q2284440
Artist
Theo van Doesburg  (1883–1931)  wikidata:Q160422 s:en:Author:Theo van Doesburg q:en:Theo van Doesburg
 
Theo van Doesburg
Alternative names
Emile Küpper, Christian Emil Marie Küpper, I.K. Bonset, Aldo Camini
Description Dutch architect, painter, drawer and writer
Date of birth/death 30 August 1883 Edit this at Wikidata 7 March 1931 Edit this at Wikidata
Location of birth/death Utrecht Davos
Work period 1899-1931
Work location
Amsterdam (1899-1914), Amersfoort (September 1908), Apeldoorn (July 1910), Fort bij Veldhuis (Heemskerk) (July 1914), Groesbeek (May 1915-June 1915, September 1916), Utrecht (September 1915-1916), Zoeterwoude (1916), Leiden (1916-1921), Paris (28 March 1921), Weimar (1921-1924), Rügen (July 1922-August 1922), Paris (1923), Clamart (1924-1930), Belle-Île-en-Mer (June 1924), Strasbourg (September 1926-February 1928), San Sebastián (1927), Antrain (Summer 1929
date QS:P,+1929-00-00T00:00:00Z/9,P4241,Q40720564
), The Hague (1929), Auvers-sur-Oise (September 1930), Meudon (December 1930-February 1931), Davos (March 1931)
Authority file
artist QS:P170,Q160422
image of artwork listed in title parameter on this page
Title
Composition 1923-1924
label QS:Len,"Composition 1923-1924"
label QS:Lnl,"Compositie"
Object type painting Edit this at Wikidata
Genre abstract art Edit this at Wikidata
Description
English: Komposition, Juli 1923–1924Composition

Composition Öl auf Leinwand41.5 x 33.4 cmSigniert unten rechts: TH v D '24; rückseitig auf dem Keilrahmen vom Künstler (?) bezeichnet: THEO VAN DOESBURG und Angabe der Bildorientierung mit zwei Pfeilen und "HAUT"Kunstmuseum Basel, Schenkung Marguerite Arp-Hagenbach 1968Inv. G 1968.57

Theo van Doesburg begann die Arbeit an diesem Bild im Juli 1923 und vollendete es 1924. Es entstand in Paris, wo der Künstler seit Januar 1923 mit dem Architekten Cornelis van Eesteren verschiedene Architekturentwürfe entwickelte (Ausst.-Kat. Ludwigshafen 2012, S. 32). Neben Weiss, Schwarz, Grau, Rot und Blau verwendete Van Doesburg – für ihn ungewöhnlich – Gold, was heute kaum mehr erkennbar ist. Dies ist wahrscheinlich dem Einfluss von El Lissitzky zuzuschreiben, der gerne kontrastierende Materialien einsetzte, auch Metalle (Straaten 1994, S. 51).
Date between 1923 and 1924
date QS:P571,+1923-00-00T00:00:00Z/8,P1319,+1923-00-00T00:00:00Z/9,P1326,+1924-00-00T00:00:00Z/9
Medium oil Edit this at Wikidata
Dimensions height: 41.5 cm (16.3 in) Edit this at Wikidata; width: 33.4 cm (13.1 in) Edit this at Wikidata
dimensions QS:P2048,+41.5U174728
dimensions QS:P2049,+33.4U174728
institution QS:P195,Q194626
Accession number
G 1968.57 (Kunstmuseum Basel) Edit this at Wikidata
References Kunstmuseum Basel artwork ID: 1950 Edit this at Wikidata
Source/Photographer http://sammlungonline.kunstmuseumbasel.ch/eMuseumPlus?service=ExternalInterface&module=collection&objectId=1950&viewType=detailView

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Public domain

The author died in 1931, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 80 years: Mexico has 100 years and Jamaica has 95 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term.

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