File:Meister des Bartholomäusaltars - Die Taufe Christi (National Gallery of Art).jpg

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Master of the Saint Bartholomew Altarpiece: The Baptism of Christ  wikidata:Q20174420 reasonator:Q20174420
Artist
Master of the Saint Bartholomew Altarpiece  (fl. 1470–1510)  wikidata:Q632385
 
Master of the Saint Bartholomew Altarpiece
Alternative names
Master of the Altar of St. Bartholomew,
Master of the Altar of St. Thomas
Description Dutch-German painter and manuscript illuminator
Date of birth/death circa 1450
date QS:P,+1450-00-00T00:00:00Z/9,P1480,Q5727902
circa 1510
date QS:P,+1510-00-00T00:00:00Z/9,P1480,Q5727902
Location of birth/death Nijmegen Cologne
Work period between 1470 and 1510
date QS:P,+1500-00-00T00:00:00Z/6,P1319,+1470-00-00T00:00:00Z/9,P1326,+1510-00-00T00:00:00Z/9
Work location
Utrecht (?) (1470-1480), Cologne (1470-1510)
Authority file
artist QS:P170,Q632385
image of artwork listed in title parameter on this page
Title
The Baptism of Christ Edit this at Wikidata
label QS:Len,"The Baptism of Christ"
label QS:Lru,"Крещение Христа"
label QS:Lde,"Die Taufe Christi"
Object type painting Edit this at Wikidata
Genre religious art Edit this at Wikidata
Description
Depicted people
Date circa 1485/1500
Medium oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Dimensions height: 104.3 cm (41 in); width: 169.7 cm (66.8 in)
dimensions QS:P2048,104.3U174728
dimensions QS:P2049,169.7U174728
institution QS:P195,Q214867
Current location
Gallery 35A
Accession number
1961.9.78
Object history Possibly a church in Arnhem.[1] Count Jacques de Bryas, Paris; (sale, Hôtel Drouot, Paris, 6 February 1905, no. 20); (Galerie F. Kleinberger, Paris).[2] Richard von Kaufmann [1849-1908], Berlin; (his sale, Paul Cassirer and Hugo Helbing, Berlin, 4 December 1917, no. 132); possibly purchased by (Paul Graupe, Berlin)[3] for Otto Henkell [1869-1929], Wiesbaden. (Rosenberg & Stiebel, New York); purchased February 1955 by the Samuel H. Kress Foundation, New York; gift 1961 to NGA.
  1. Unfortunately, we know nothing about the commission or the original location of the panel. Based on a note affixed to the back of the picture, the painting is traditionally thought to have been in a church in Arnhem, in the Gelderland region of the Netherlands. Colin Eisler's assertion that the painting may have been done for the high altar of the Sint Janskerk in Arnhem, is possible, but awaits confirming evidence. (Eisler 1977, 9, where he also suggests that the commission may have been given to Johan van Hatstein, Commander of the Order of Saint John from 1486 to 1497.) The Sint Janskerk was demolished in 1817 and the first mention of the painting in connection with the "cathédrale" in Arnhem occurs in 1905: Catalogue des Tableaux Anciens ... Provenant de la Collection de M. le Comte Jacques de Bryas, Hôtel Drouot (Paris, 1905), 11, "Cette oeuvre du plus grand caractère, et dans le plus admirable état de conservation, provient de la cathédrale d'Aarnheim, édifice gothique qui fut au XVIIe siècle désaffecté du culte catholique." Friedländer in the sales catalogue Die Sammlung Richard von Kaufmann Berlin, Paul Cassirer and Hugo Helbing (Berlin, 1917), no. 132, cites a "Notiz auf der Rückseite" as the basis for the Arnhem provenance. This notice was never described and had disappeared by 1941, as per Karl vom Rath, Der Meister des Bartholomäusaltares. (Bonn, 1941), 125, no. 9.
  2. Handwritten note in the margin of the copy of the catalogue in the NGA library.
  3. Handwritten note in vol. 2 of the catalogue in the NGA library.
Credit line Samuel H. Kress Collection
Inscriptions on banderolle: HIC EST EILIVS MEVS DILECTV IN QVO MICHI CON[P]LICVI (This is my beloved son with whom I am well pleased), from Matthew 3:17; on heart held by Saint Augustine: IHS
References
Source/Photographer

1. The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.


2./3. The National Gallery of Art, Washington D.C.

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current00:39, 12 June 2020Thumbnail for version as of 00:39, 12 June 202013,641 × 8,409 (56.85 MB)Trzęsaczhttps://www.nga.gov/collection/art-object-page.46177.html
15:03, 7 November 2013Thumbnail for version as of 15:03, 7 November 20133,352 × 2,085 (4.14 MB)Botaurushttp://www.nga.gov/content/ngaweb/Collection/art-object-page.46177.html
05:09, 20 May 2005Thumbnail for version as of 05:09, 20 May 20052,048 × 1,263 (330 KB)File Upload Bot (Eloquence){{Painting| |Title=<br /> ** ''de:'' Die Taufe Christi |Technique=<br /> ** ''de:'' Holz |Dimensions=<br /> ** ''de:'' 106,1 × 170,5 cm |Location=<br /> ** ''de:'' Washington (D.C.) |Country=<br /> ** ''de:'' Deutschland |Gallery=<br /> ** ''de:'' Nation

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