File:Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797 RMG BHC0493.tiff
Original file (4,159 × 3,163 pixels, file size: 37.64 MB, MIME type: image/tiff)
This is a file from the Wikimedia Commons. Information from its description page there is shown below.
Commons is a freely licensed media file repository. You can help.
Summary
Daniel Orme: Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797 | ||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
|
|||||||||||||||||||||||||
Author |
Orme, Daniel |
|||||||||||||||||||||||||
Title | ||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
|||||||||||||||||||||||||
Description |
English: Nelson Receiving the Surrender of the 'San Josef' at the Battle of Cape St Vincent, 14 February 1797 An interpretation of an incident during the French Revolutionary War, following the Battle of Cape St Vincent, 1797. The last decade of the 18th century was a period of extreme upheaval across Europe. Late in 1796, after Spain made peace with Revolutionary France, the British were forced to withdraw from the Mediterranean. Commodore Nelson organized the evacuation of Corsica, and Admiral Jervis, based at Gibraltar, concentrated on blockading the Spanish fleet in its Atlantic ports, especially Cadiz. When Spanish ships, aiming for Brest to join the French, were seen passing through the Straits of Gibraltar on 5 February 1797, on their way to Cadiz, Nelson set sail towards Cape St.Vincent, hoping to find Jervis. He found the British squadron off Cape St. Vincent on 13 February and immediately repaired on board 'Victory', 100 guns, to discuss with Jervis the preparations for the inevitable battle. The following morning, Jervis gave orders for the fleet to prepare for the coming action, which commenced at 11.30 am. The capture of the 'San Nicolas', 80 guns, and the 'San Josef', 112 guns, was the most dramatic incident of the Battle of St Vincent. Lord Nelson first boarded the 'San Nicolas' and then the 'San Josef', which had fallen foul of the 'San Nicolas'. The painting interprets the scene on the quarterdeck of the 'San Josef' as she surrenders. Nelson is standing centre right of the picture, his right hand held out to receive the sword of the captain of the ship. He is depicted offering it on bended knee, whilst his left hand points behind him to the slumped figure of the Spanish Admiral, Don Francisco Xavier Winthuysen, who has been mortally wounded. Kneeling beside the admiral on the far left, is the 'San Josef's' First Lieutenant, with his hands clasped. Behind this group, a Spanish and English sailor are shown, the latter identifiable as Ramsay, one of Nelson's bargemen. To the right of them is a Spanish priest called O'Brien, holding a cross aloft in his left hand. Between him and Nelson are three British officers. First is Lieutenant Pearson of the 69th Regiment, who had boarded the ship at Nelson's side. Behind him is Midshipman Thomas, a master's mate of Nelson's 'Captain', 74 guns, and James Noble who was Nelson's Flag Lieutenant. To the right of Nelson is Captain Berry, gesturing towards the 'San Josef's' ensign, which has just been hauled down. On the poop behind them is a British soldier of the 69th and two British sailors. The man waving his hat in the air is identifiable as William Fearney, Nelson's bargeman. This gesture is at odds with Nelson's own written account, which describes Fearney as putting the swords 'with the greatest sang froid, under his arm'. The jagged, broken mizzen-mast of the ship is visible in the background, by the ship's bell. In the left background is the stern of the 'San Nicolas', a Union flag over her ensign and Lieutenant Peter Spicer waving from her taffrail. Beyond her is the 'Captain', port-bow view, with Captain Miller and Nelson's stepson, Lieutenant Josiah Nisbet, standing on the fo'c'sle. In the centre background the 'Victory' and the 'Santissima Trinidad', 130 guns, in port-bow view, are shown in close action Orme was a portrait painter, and engraver to George III, who often produced his own portraits as engravings. The painting is signed and dated, 'Orme pinxt 1799'. (Note: the Spanish 'San José', captured at Cape St Vincent, is generally if wrongly known in English as 'San Josef', the name under which she was taken into the Navy.) |
|||||||||||||||||||||||||
Date |
1799 date QS:P571,+1799-00-00T00:00:00Z/9 |
|||||||||||||||||||||||||
Medium | oil on canvas | |||||||||||||||||||||||||
Dimensions | Painting: 1498.6 x 1981.2 mm; Frame: 1705 x 2212 x 95 mm | |||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
|||||||||||||||||||||||||
Current location | ||||||||||||||||||||||||||
Accession number |
BHC0493 |
|||||||||||||||||||||||||
Notes | Signed and dated 1799. | |||||||||||||||||||||||||
References | ||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/11985 | |||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
|||||||||||||||||||||||||
Identifier InfoField | Acquisition Number: 1930-7 Caird Catalogue Number (CCAT): CC V1, P1, 5 id number: BHC0493 |
|||||||||||||||||||||||||
Collection InfoField | Oil paintings |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Items portrayed in this file
depicts
image/tiff
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 05:59, 25 September 2017 | 4,159 × 3,163 (37.64 MB) | Fæ | Royal Museums Greenwich Oil paintings (1799), http://collections.rmg.co.uk/collections/objects/11985 #1353 |
File usage
The following 3 pages use this file:
Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
Width | 4,159 px |
---|---|
Height | 3,163 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 140 |
Number of components | 3 |
Number of rows per strip | 3,163 |
Bytes per compressed strip | 39,464,751 |
Data arrangement | chunky format |