File:Review of Dutch Yachts Before Peter the Great RMG BHC0926.tiff
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Summary
Abraham Storck: Review of Dutch Yachts Before Peter the Great | ||||||||||||||||||||||||||||||
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Review of Dutch Yachts Before Peter the Great An interpretation of the visit to Amsterdam in 1697 by Tsar Peter the Great, 1672-1725, during his Great Embassy. When Peter arrived in Amsterdam on 25 August the city celebrated with fireworks, festivities and the maritime display, in the form of a mock battle, on 1 September, which is depicted here. Peter appeared in full regalia as the Tsar of Moscovy to watch the 41 ships that took part. He is shown standing in the yacht on the left, surveying the event, which attracted huge crowds. A trumpeter is also shown on board playing a fanfare. The picture shows numerous vessels at the height of the battle. The Commander-in- Chief, Gillis Schey, sailed on the East India Company yacht shown in the centre of the painting, flying the East India Company flag. In the foreground are a number of small boats carrying people out to take a closer look at the Tsar and view the spectacle unfolding around them. The scene was graphically described in a contemporary print by Caspar Luyken. Abraham Storck probably made several paintings of the mock battle soon afterwards. A contemporary account states that Peter was so delighted with the whole performance that at his request it was repeated several weeks later. This provided Storck with another opportunity to make sketches and record the event. His composition was copied by other artists, including I. de Beer. Storck had trained and worked with his father and became a member of the Guild of St Luke in Amsterdam. His river and coastal scenes were influenced by Ludolf Backhuysen, Willem van de Velde the younger and Jan Abrahamsz Beerstraten. He showed considerable accuracy in depicting ships' rigging and technical details, and his Dutch harbour and river views often depict the recreational and ceremonial aspects of shipping. In particular he concentrated on showing pleasure yachts and ceremonial gatherings of ships. He also concentrated on depictions of both spectators and passengers. In such work he showed great skill depicting the human figure, through characterization and attention to costume and detail. |
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Date |
1697 date QS:P571,+1697-00-00T00:00:00Z/9 |
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Medium | oil on canvas | |||||||||||||||||||||||||||||
Dimensions | Painting: 406 mm x 584 mm; Frame: 510 mm x 697 mm x 55 mm | |||||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Accession number |
BHC0926 |
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References | ||||||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/12418 | |||||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: 1927-264 id number: BHC0926 |
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Collection InfoField | Oil paintings |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 00:47, 16 September 2017 | 7,200 × 4,929 (101.53 MB) | Fæ | Royal Museums Greenwich Oil paintings (1697), http://collections.rmg.co.uk/collections/objects/12418 #747 |
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Data arrangement | chunky format |