File:The Capture of Saint Lucia, 26 February 1762 RMG BHC0406.tiff

Original file(4,800 × 2,821 pixels, file size: 38.74 MB, MIME type: image/tiff)

This is a file from the Wikimedia Commons. Information from its description page there is shown below.
Commons is a freely licensed media file repository. You can help.

Summary

Dominic Serres: The Capture of Saint Lucia, 26 February 1762  wikidata:Q50902191 reasonator:Q50902191
Artist
Dominic Serres  (1722–1793)  wikidata:Q3035468
 
Dominic Serres
Alternative names
Dominic Serres the Elder
Description British-French painter
Date of birth/death 1722 Edit this at Wikidata 1793 Edit this at Wikidata
Location of birth/death Auch Marylebone (London)
Work location
London (1758–1793); Spain; Hamburg Edit this at Wikidata
Authority file
creator QS:P170,Q3035468
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Dominic Serres, the Elder
Title
The Capture of Saint Lucia, 26 February 1762 Edit this at Wikidata
title QS:P1476,en:"The Capture of Saint Lucia, 26 February 1762 Edit this at Wikidata"
label QS:Len,"The Capture of Saint Lucia, 26 February 1762 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: The Capture of Saint Lucia, 26 February 1762

The capture of St Lucia from the French took place when England and France were once again in dispute, during the Seven Years War, 1756-63. This conflict was fought around the globe and involved the world’s major powers. In the autumn of 1761 Captain the Honourable Augustus John Hervey was ordered to the West Indies to join Admiral Rodney in his expedition against the French island of Martinique. He assisted in the successful attack, and was then ordered by Rodney to proceed in the ‘Dragon’ with five other vessels to demand the surrender of St. Lucia from the French. On his arrival off St Lucia, Hervey summoned the governor to surrender. Disguised as a midshipman and acting as an interpreter, he went ashore to ascertain the enemy’s strength. The French governor, de Longueville, initially refused to surrender, but recapitulated the following day when he saw the extent of the British preparations underway to attack the town. Saint Lucia passed into British possession on 25 February 1762, but on 10 February the following year, the Treaty of Paris handed Saint Lucia back to the French.

This major painting commemorates the capture of this strategically significant West Indian island. With a raised perspective, it looks towards the entrance of the harbour of the island with the British ships of the English Squadron anchored in the bay. The painting focuses on the commencement of the landing of the troops, organised by Hervey. The men can be seen standing in a double line along the centreline of the special flatboats, flanked by seated seaman rowers. The painting is inscribed ‘To Taking of the Island of St Lucia by “Comd”. Hervey. Feb 26 1762’.

The Capture of Saint Lucia, 26 February 1762
Date 1772
date QS:P571,+1772-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 889 mm x 1524 mm; Frame: 1020 mm x 1670 mm x 90 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0406
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11898
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1940-290
id number: BHC0406
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Captions

Add a one-line explanation of what this file represents

image/tiff

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current15:44, 25 September 2017Thumbnail for version as of 15:44, 25 September 20174,800 × 2,821 (38.74 MB)Royal Museums Greenwich Oil paintings (1772), http://collections.rmg.co.uk/collections/objects/11898 #1379

Global file usage

The following other wikis use this file:

Metadata