File:The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797 RMG BHC0495.tiff

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Summary

Nicholas Pocock: The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797  wikidata:Q50866338 reasonator:Q50866338
Artist
Nicholas Pocock  (1740–1821)  wikidata:Q1859751
 
Nicholas Pocock
Alternative names
Nicholas Pococke; Pococke; Pocock; N. Pocock
Description British painter
Noted for detailed paintings of naval battles during the Age of Sail
Date of birth/death 2 March 1740 Edit this at Wikidata 9 March 1821 Edit this at Wikidata
Location of birth/death Bristol, England, UK Raymead, Cookham, Berkshire, England, UK
Work location
Authority file
creator QS:P170,Q1859751
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797 Edit this at Wikidata
title QS:P1476,en:"The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797 Edit this at Wikidata"
label QS:Len,"The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797

Two British frigates were reconnoitring the French fleet at Brest on the morning of 9 March 1797 when they met with a large French frigate and a corvette. They were part of a French squadron of four returning from an unsuccessful attempt to land troops on the Welsh coast at Fishguard in an abortive attempt to destroy Bristol and attack Liverpool. The two British frigates were prizes captured from the French, the ‘San Fiorenzo’ commanded by Captain Sir Harry Burrand Neale and ‘La Nymph’ commanded by Captain John Cooke the French ships they encountered were the ‘Resistance’ and ‘Constance’. Hostilities broke out between them and the ‘Resistance’ soon struck, to be followed by the surrender of the ‘Constance’. There were no casualties on the British side, although the French lost 18 killed and 15 wounded.

In the centre of the picture is the French ship ‘Resistance’ with her ensign and pendant being lowered as she surrenders. To the port of her the British ‘San Fiorenzo’ is still firing her starboard guns. To the right and beyond this pair is ‘La Nymph’ partly masking the French ‘Constance’ which is still fighting. The copper liberty caps on the main-trucks of the Frenchmen are plainly shown. In the background is the French coast around Brest.
The capture of the 'Resistance' and 'Constance' by HMS 'San Fiorenzo' and 'Nymphe', 9 March 1797.

Résistance was a Vengeance-class frigate of the French Navy. HMS St Fiorenzo captured her in 1797 and the Royal Navy took her into service as HMS Fisgard. She was sold in 1814.
Date Late 18th century - Early 19th century
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 960 mm x 1333 mm x 115 mm;Overall: 25 kg;Painting: 762 mm x 1118 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0495
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11987
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1927-157
id number: BHC0495
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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Date/TimeThumbnailDimensionsUserComment
current05:42, 25 September 2017Thumbnail for version as of 05:42, 25 September 20174,581 × 3,060 (40.11 MB)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/11987 #1352

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